Conservatorium of Music
Friday Performance Class
Friday Performance Class
| Title | Composer | Mins | Start |
| Variations sur un Thème dans le Style Ancien, Op.30 | Carlos Salzedo (1885 - 1961) | 10 | 13:15 |
| Main Theme (Maestoso) I. A tempo, Graziamente II. Tempo di Bourrée III. Scherzando IV. LIstesso tempo V. Maestoso VI. Vigorosamente VII. Molto piú lento VIII. Vivo risoluto, Main theme “A Tempo,” | |||
| Grace Hordern, Harp | |||
| Carlos Salzedo was a French harpist and pianist virtuoso. After graduating from the Paris Conservatoire, he moved the United States as a professional harpist. Despite his enormous talent as a performer he is best remembered as a teacher and composer, who aimed to develop the harp's place as a solo instrument alike the piano. This work's variations highlight techniques from trills, to glissandos. The work is considered neoclassical with a more tonally conservative approach than many of his other compositions but with his usual high level of innovation. As one of the harps' most demanding works, it frequently appears on competition programs. | |||
| Scherzo no3 op39 | Frédéric Chopin (1810 - 1849) | 8 | 13:37 |
| Yishun Zhang, piano | |||
| Chopin's 3rd scherzo | |||
| Sonata op110 | Ludwig van Beethoven (1770 - 1827) | ||
| 1 | |||
| Yishun Zhang, piano | |||
| Beethoven late sonata | |||
| Sonata No. 5 in F sharp major, Op. 53 | Alexander Scriabin (1872 - 1915) | 12 | 13:57 |
| Nguyen Tri Thong Truong, Piano | |||
| This is the first sonata by Scriabin that was written in one complete movement, a trend evident in the latter 5 sonatas. It was composed during his middle period, starting with the 4th Sonata where he began deviating from Romanticism and moving towards atonalism. The piece is characterised by elements of lightness, darkness, sensuality and ecstasy and is a nightmare to perform. | |||
| Arpeggione sonata | Franz Schubert (1797 - 1828) | 25 | 14:21 |
| 1,2,3 | |||
| Alex Liu, cello | |||
| Katniss Li, piano | |||
| Hard for cello, chill for piano. Very good piece. | |||
| Sonata in A Major D. 664 | Franz Schubert (1797 - 1828) | 7 | 14:58 |
| I, II | |||
| Aisha Bowker, Piano | |||
| This sonata is known as the 'Little Sonata' in A major, made up of three concise movements written by Schubert, as opposed to the greater sonata written later in the same key. This piece was dedicated to the pianist Josephine von Koller of Steyr in Upper Austria. | |||
| Piano Sonata no. 2 , Op. 22 | Robert Schumann (1810 - 1856) | 14 | 15:17 |
| 1st and 2nd mvt | |||
| Sean Kim, piano | |||
| Robert Schumann's Piano Sonata No. 2 in G Minor, Op. 22, composed in 1830, stands as a significant work within the Romantic piano repertoire. This sonata is notable for its passionate expression, introspective lyricism, and its departure from the traditional sonata-allegro form, reflecting Schumann's distinctive musical voice. | |||
| Etude no.3, op.18 | Bela bartok (1881 - 1945) | ||
| Sean Kim, piano | |||
| Béla Bartók's Etude No. 3, Op. 18, is a striking composition that exemplifies the Hungarian composer's penchant for merging folk elements with avant-garde techniques. Composed in 1918, this etude is a part of Bartók's set of 15 Etudes, which are highly regarded for their technical challenges and innovative harmonic language. | |||