Conservatorium of Music
Friday Performance Class
Friday Performance Class
| Title | Composer | Mins | Start |
| Piano sonata No.9 in C Op.103 | Sergei Prokofiev (1891 - 1953) | 11 | 13:15 |
| II | |||
| Katniss Li, Piano | |||
| very different from the three preceding ones, it seems merely much 'simpler' than the other ones. Prokofiev himself did not intend for this composition to create an effect. | |||
| Piano sonata Op.1 | Alban Berg (1885 - 1935) | ||
| Katniss Li, Piano | |||
| This sonata was originally handed in by Berg to Schoenberg as an assignment of composition. It only has one movement because Schoenberg said it is complete as it is. As a figure associated with the Second Viennese School, comprised with Arnold Schoenberg and his pupils Alban Berg and Anton Webern, Berg was regarded the most lyrical and romantic one. | |||
| Etude Opus 1 No. 8 | Yu-Peng Chen (1984 - ) | 3 | 13:38 |
| Transcribed by Unknown | |||
| Zihan Zhu, Piano | |||
| Better known for his compositions for film and soundtrack for Genshin Impact, this set of etudes are his only works for solo piano. | |||
| Sonata Hob. XVI:26 | Joseph Haydn (1732 - 1809) | 10 | 13:53 |
| 1. Allegro Moderato 2. Minuet and Trio 3. Presto | |||
| Charlotte Roberts, Piano | |||
| The Hunt, Op 31 No 3 Movement 1 | Ludwig Beethoven (1770 - 1827) | 7 | 14:15 |
| Amber Chong, Piano | |||
| Fantasie in C Op.17 | Robert Schumann (1810 - 1856) | 30 | 14:34 |
| All | |||
| Zhihan Jiang, Piano | |||
| Initially subtitled ruined, triumphant arch and constellation, Schumann begins this work with the descending motif of Clara, expressing his distress towards her departure. Written for a fundraising event towards building a Beethoven monument, this work incorporates the spirit of late Beethoven and concludes in a seemingly never ending song-like slow movement in binary form. | |||