Conservatorium of Music
Friday Performance Class
Friday Performance Class
| Piano Concerto in G | Maurice Ravel (1875 - 1937) |
| 2 | |
| Isabel Finucane, Piano | |
| Andrea Katz, piano | |
| Men\'s Dance from Opera Aleko | Sergei Rachmaninov (1873 - 1943) |
| Amber Chong, Piano | |
| Sarah Bouquet (Piano) and Amber Chong (Piano) | |
| Etudes Tableaux Op. 33 no. 1 in F minor | Sergei Rachmaninoff (1873 - 1943) |
| Thomas Summerfield, Piano | |
| First movement of Rachmaninoff's Opus 33. Études-Tableaux. The pieces were intended to be "picture studies", however he never specified what exactly was the focus image of each etude, therefore: leaving it up to the performer's own interpretation. | |
| Étude 10 pour les sonorités opposées | Claude Debussy (1862 - 1918) |
| Katniss Li, Piano | |
| Etude no 10 is a study on opposing sonorities. | |
| Il de feu 1 | Olivier Messiaen (1908 - 1992) |
| Katniss Li, Piano | |
| It is among the collection of his four rhythm studies. | |
| Grandes Etudes de Paganini no. 6 | Franz Liszt (1811 - 1886) |
| Kevin Huynh, Piano | |
| Dedicated to Clara Schumann, and the second “easier†edition. | |
| Prelude, Fugue and Allegro in D Major, BWV 998 | Johann Sebastian Bach (1685 - 1750) |
| Edited by Frank Koonce | |
| Prelude, Allegro | |
| Luke Barson, Guitar | |
| Originally composed for the baroque lute, this work has been transcribed for guitar in many different editions and occupies a central place in the classical guitar canon. | |
| Le Papillon, Op. 50, no. 25 | Mauro Giuliani (1789 - 1881) |
| Luke Barson, Guitar | |
| . | |
| Pulsar Symphony for Piano Trio | Daniel Schnyder (1961 - -) |
| 1 and 3 | |
| Alice Hurwood, Cello | |
| Lachlan McKie Violin, Gulliver Poole piano. | |
| Hector the Hero | Tony Mccmanus (1965 - ) |
| Transcribed by Ned Dempsey | |
| ned dempsey , Guitar | |
| Canon in D | Johann pachelbel (1653 - 1706) |
| Arranged by Trace Bundy | |
| ned dempsey , Guitar | |
| Ballade no. 1 in G minor, op. 23 | Fryderyk Chopin (1810 - 1849) |
| Bernie Maitri, Piano | |
| Ballade No. 1 in G minor, Op. 23, is a monumental work that stands as a cornerstone of the Romantic piano repertoire, reflecting Chopin\\\'s profound artistic and emotional sensibilities. | |