Conservatorium of Music
Friday Performance Class
Friday Performance Class
| Piano Concerto \"Memo Flora\" | Takashi Yoshimatsu (1953 - N/A) |
| 2nd movement \"Petals\" | |
| Nguyen Tri Thong Truong, Piano | |
| Konrad Olszewski, piano | |
| Myself and 2nd piano collaborator | |
| Sonata for Violin and Piano No. 3 in C minor, Op. 45 | Edvard Grieg (1843 - 1907) |
| I. Allegro molto ed appassionato II. Allegretto espressivo alla Romanza | |
| Jessica Leigh, Violin | |
| Konrad Olszewski, piano | |
| Grieg may be most renowned for his Piano Concerto and incidental music for Peer Gynt, but he included among his own favorites his three violin sonatas. “They represent,†he said in 1900, “periods in my development – the first naïve, rich in ideas; the second national; and the third with a wider horizon.†| |
| Cello Concerto in D Minor | Édouard Lalo (1823 - 1892) |
| 1st movement | |
| Regina Baek, Cello | |
| Konrad Olszewski, piano | |
| Édouard Lalo wrote his Cello Concerto in D minor in 1876, in collaboration with the Belgian cellist Adolphe Fischer (1847-1891). The work was premièred the following year at the Cirque d\\\'Hiver with Fischer as soloist. | |
| Fantasie Impromptu op.66 | Frederic Chopin (1810 - 1849) |
| 1 | |
| Ricardo Roche idini, Piano | |
| Un sospiro s.144 | Franz Liszt (1811 - 1886) |
| 1 | |
| Ricardo Roche idini, Piano | |
| One of the three concert etudes S.144 | |
| Transcendental Etude no. 12 (\"Chasse Neige\") | Franz Liszt (1811 - 1886) |
| Kunliang Jiang, Piano | |
| Prelude & Fugue No.5 in D Major BWV 874 WTK Book II | JS Bach (1685 - 1750) |
| Sarah Bouquet, Piano | |
| Etudes-Tableaux Op.39 No.2 in A Minor | Sergei Rachmaninoff (1873 - 1943) |
| Sarah Bouquet, Piano | |
| Also known as "The Sea and the Seagulls". The work contains many musical textures that make it a difficult study in touch. It requires performers to restrain themselves and at the same time not sound monotonous. The technical workings of the étude are the 2-over-3 timing, the crossing hands, and large span of the arpeggiated figures for the left hand. This left-hand figure quotes the Dies Irae plainchant, one of the many works by the composer to do so. | |