Conservatorium of Music
Friday Performance Class
Friday Performance Class
| Title | Composer | Mins | Start |
| Clarinet Concerto in A major, K.622 | Wolfgang Amadeus Mozart (1756 - 1791) | 9 | 13:15 |
| III - Rondo (Allegro) | |||
| Georgia White, Clarinet | |||
| Andrea Katz, piano | |||
| Ach, ich fühls | Mozart (1756 - 1791) | 10 | 13:36 |
| Lisette Bolton, Voice | |||
| Andrea Katz, piano | |||
| In this aria, Pamina expresses her sadness that Tamino won't speak to her and her fears that he doesn't love her anymore. | |||
| Piangerò la sorte mia | Handel (1685 - 1759) | ||
| Lisette Bolton, Voice | |||
| Andrea Katz, piano | |||
| Unaware that he has survived the battle, Cleopatra laments the loss of Cesare. | |||
| piano concerto in f minor | Chopin (1810 - 1849) | 10 | 13:58 |
| II. Larghetto | |||
| Yuhao Yan, Piano | |||
| Andrea Katz, piano | |||
| Estampes | Claude Debussy (1862 - 1912) | 4 | 14:20 |
| III. Jardins sous la pluie | |||
| Bernard Cresdee, Piano | |||
| Jardins sous la pluie describes a garden in the Normandy town of Orbec during an extremely violent rainstorm. Throughout the piece, there are sections that evoke the sounds of the wind blowing, a thunderstorm raging, and raindrops dropping. It makes use of the French folk melodies "Nous n'irons plus aux bois" and "Dodo, l'enfant do." Chromatic, whole tone, major and minor scales are used in this movement. | |||
| Hommage á J. S. Bach | bela kovacs (1937 - ) | 4 | 14:36 |
| lily tr, clarinet | |||
| Chaconne | Sigfrid Karg-Elert (1877 - 1933) | 4 | 14:52 |
| Molly Jenkins, Flute | |||
| The Chaconne comes from Karg-Elert's 30 Caprices for Flute which was originally written for flautist Carl Bartuzat. This Chaconne is the final and most difficult piece of the book, and is based on a form from the Baroque era with the entire piece centering around the group bass of four notes: F Eb Db and C. | |||